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The continued international success of the horror genre combined with a tight, carefully plotted genre storyline gives our current project 'The Final Haunting' a very good possibility to break out into significant commercial success, especially to US, UK, Japanese and German audiences.

By keeping the cost of production low via established relationships with cast, crew and suppliers; and by keeping the production value high, the producers will deliver a product that should fare well in the marketplace.

 

 

Released

Movie

Distributor

Budget

World Gross

% Return

1

9/25/2009

Paranormal Activity


$15,000

$196,681,656

655,505.52%

2

3/21/1980

Mad Max

Filmways

$200,000

$99,750,000

24,837.50%

3

05/07/2004

Super Size Me

IDP/Sam Goldwyn

$65,000

$29,529,368

22,614.90%

4

7/14/1999

The Blair Witch Project

Artisan

$600,000

$248,300,000

20,591.67%

5

2/26/1993

El Mariachi

Columbia

$7,000

$2,041,928

14,485.20%

6

10/01/1968

Night of the Living Dead


$114,000

$30,000,000

13,057.89%

7

11/21/1976

Rocky


$1,000,000

$225,000,000

11,150.00%

8

10/17/1978

Halloween


$325,000

$70,000,000

10,669.23%

9

08/11/1973

American Graffiti


$777,000

$140,000,000

8,909.01%

10

10/19/1994

Clerks

Miramax

$27,000

$3,894,240

7,111.56%

11

5/16/2007

Once

Fox Searchlight

$150,000

$18,997,174

6,232.39%

12

7/25/1969

The Stewardesses


$200,000

$25,000,000

6,150.00%

13

06/11/2004

Napoleon Dynamite

Fox Searchlight

$400,000

$46,140,956

5,667.62%

14

08/06/2004

Open Water

Lion's Gate

$500,000

$55,116,982

5,411.70%

15

05/09/1980

Friday the 13th

Paramount

$550,000

$59,754,601

5,332.24%

16

12/15/1939

Gone with the Wind

MGM/UA

$3,900,000

$390,525,192

4,906.73%

17

02/08/1915

The Birth of a Nation


$110,000

$11,000,000

4,900.00%

18

01/06/2012

Devil Inside The


$1,000,000

$99,661,944

4,883.10%

19

01/01/1925

The Big Parade


$245,000

$22,000,000

4,389.80%

20

10/29/2004

Saw

Lion's Gate

$1,200,000

$103,096,345

4,195.68%

Note: The profit and loss figures are very rough estimates based on the assumption that 50% of box office receipts were returned to the studio. They don't include ancillary (video, TV etc.) earnings, and serve only as a guide.

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